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Book Signing This Saturday

What: Book Signing
Who: Joe Chierchio
Where: Hampton Photo Arts in The Bridgehampton Shopping Center
When: Saturday (9/5/09) 1pm to 4pm

Joe Chierchio Bridgehampton ArtArtist Joe Chierchio will be signing his new art book this Saturday at Hampton Photo Arts in Bridgehampton. Joe Chierchio art prints are available here.
Joe Chierchio, a former ad man who lives in Water Mill, paints narrative compositions that recall the murals of American Realist painters paid by the government during the Great Depression. He has focused on the inner lives and daily routines of workers in agricultural and industrial settings.

Last May, the artist had a show at the Gallery Sag Harbor in which he exhibited 40 works on paper, called “East End — New York — Europe: Our Lives and Times,” and in September his works were shown at the Gallery of Graphic Arts on York Avenue in New York City.

A book of Mr. Chierchio’s work, “New York: Drawing on the Past,” has just been published. He will be at Hampton Photo Arts in Bridgehamptonon to sign copies.

Barbara’s Last Day : (

In her short time here Barbara has made quite an impression on our customers and staff. From her fun loving nature to her knowledge of photography and the arts, Barbara is a remarkable person who could NEVER be replaced. Barbara is leaving to become the new Art teacher at the Tuckahoe School. She will be greatly missed. Stop in Saturday and wish her luck in her new career.

We love you Barbara. Good Luck!

Ben is in another art show this saturday

Publication: The East Hampton Press & The Southampton Press
Society is ready to reveal artists’ secrets once more
By Pat Rogers

What happens when a secret is too compelling to keep? For the Artist Secret Society, it means a group art show is about to be unveiled.

Breaking the self-imposed silence they resumed after last year’s show, the members of the Secret Society have gathered a group of nearly 25 artists for their second annual Guerilla Exhibition, opening at Christy’s Art Center in Sag Harbor on Wednesday, August 12, and continuing through Tuesday, August 18.

An opening reception featuring a live band and entertainment will be held on Saturday, August 15, from 6 to 9 p.m. Visitors shouldn’t be surprised if they’re greeted by a persuasive “gorilla” roaming in front of the brick building where Main Street meets Madison. Once inside, they just might encounter a belly dancer in the coils of a snake moving to live blues music.

The exhibition, “Between Heaven and Hell,” features artwork that explores the three major metaphysical divisions in the epic poem, “The Divine Comedy” by Dante Alighieri (1265-1321). The show is separated into themes of Heaven, Purgatory and Hell.

The show is curated by Catamount Mayhugh, who was also the curator for last year’s inaugural Guerilla Show held at a vacant photo store in East Hampton. Last year’s show featured pieces by eight artists who presented either figurative or abstract work.

This year’s theme of mysticism is in keeping with Mr. Mayhugh’s charge to create a unique exhibition, and it was also a natural fit for the historic Christy’s Art Center and its three distinct spaces, the curator said. The range of the artists gathered is as sprawling as the display space for this year’s show.

Exhibiting artists include Damien Hirst, Dan Rizzie, Steve Miller, Randy Rosenthal, Bettina Werner (the “Queen of Salt”), David Geiser and Darius Yektai. Also showing are Jameson Ellis, Oliver Peterson, Benjamin McHugh, Melora Griffis, Paul Ickovic, Lola Schnabel, Norman Brosterman, among others. Artist Secret Society founders David Gamble and Eric Ernst will also have work in the show.

Besides selecting pieces that fall outside the norms of what is typically exhibited on the East End, Mr. Mayhugh chose much of the artwork for its commentary on the extremes of good and evil. In some cases, similar works could find their places in both Heaven and Hell, he added.

“Randy Rosenthal has carved sculptures of money,” the curator said. “I’m hoping to get two of them so they can go in Heaven and Hell. The point is that it’s not the object but the intent of the person. The exhibition has a lot of layers to it. How many of those layers people want to see is up to them.”

The underground artists’ group was launched several years ago by Mr. Gamble of East Hampton and Mr. Ernst of Sag Harbor. The two men founded the internet-based group in response to commercial gallery expectations that exhibiting artists consistently demonstrate a signature style in their artwork.

“Artists like to work in different mediums and work in different styles,” Mr. Gamble said. “They choose the material and the subject according to the best way to express what they want to say creatively. Galleries don’t always like to show work that’s outside of what they typically show for that artist or work that differs from the gallery’s aesthetic style.”

Selecting alternative venues for each show is important for the group’s founders. So is the requirement that Secret Society shows be curated by artists. When artists pick the work, considerations of artistic expression and execution trump practical matters weighed by galleries, such as how a piece relates to an artist’s oeuvre and whether or not a piece will sell, or resonate with art collectors.

In the Sag Harbor show, there is work that is not for sale but speaks to developing the theme or deserves to be seen, Mr. Gamble said. This includes the Damien Hirst rocket maquette and a building model made by architect Russell Blue.

Selecting themes and artwork that aren’t typical in the exhibiting area is another crucial part of the mix. So far, shows have been held in East Hampton and Sag Harbor. Future opportunities may present themselves in Washington, D.C., and New Orleans, the two men said, and like those offered on the East End, those shows would be designed to shake things up a bit.

Kids Art Supplies

We have have just recieved a shipment of childrens art supplies by Sargent Art. All Sargent Art products are non toxic.
Colored PencilsSargent Art Colored Pencils are ideal for artists and illustrators of all ages. They contain high-quality pigments for consistent color coverage and smooth color laydown. Use them for drawing, illustration, and special effect blending. Color-coordinated cases are made of premium wood for durability and easy sharpening. Pencils are 7″ long and pre-sharpened, with 3.3 mm leads.
ImageSargent Art Modeling Clay is a smooth, non-hardening clay that is ideal for freehand modeling, Claymation and realistic sculpting. Colors can be mixed and blended to create natural and neutral colors.

One of ours

Our very own Benjamin McHugh has been invited to show at the 42nd Annual Artists Of The Springs Invitational Exhibition At Ashawagh Hall.
Ben would like to thank Eric Ernst and David Gamble.

Today Only.

2 Free Expressionist Cray-Pas with purchase of any 11×14 paper, pad or sketchbook. Offer ends 7/25/09

ImageCray-Pas® Expressionist
Extremely smooth to apply, high school students, hobbyists and artists can express their spirit with broad strokes, blending colors, to build texture and depth. From dramatic to muted, flamboyant to quiet, the color range allows users to convey any inspired feeling or imaginative image. Expressionist® Extender assists in the creation of color hues that further extends the visual possibilities of the final art form.

Hampton Photo Arts Teams Up With RBRC

Hampton Photo Arts RecyclesHampton Photo Arts is now enrolled in Call2Recycle® a national program stared by RBRC (Rechargeable Battery Recycling Corporation) which aims to to conserve natural resources and prevent rechargeable batteries and cell phones from entering the solid waste stream. Since 1996, RBRC has collected over 42 million pounds of rechargeable batteries in the U.S and Canada. Recycling is no longer a luxury. It’s a necessity. Stop into Hampton Photo Arts in Bridgehampton with your old or unused rechargeable batteries or cell phones and answer the Call2Recycle®.

New “Sales and Specials”

We have recently added a “Sales and Specials” section to our website.
Click on the tag below.

Specials
Free Art Information
Free Photo Information
Free Framing Information

Goodbye Rainy Tuesday (updated)

ArtThe Rolling Stones Once sang “Goodbye Ruby Tuesday” but, here in Bridgehampton we are singing “Goodbye Rainy Tuesday”. Its wet outside and we are passing the time by unpacking a large shipment of art goodies that we recieved yesterday.

Daler Rowney Sketch Books
Daler Rowney Ebony Hard Back Sketch Books come in a range of sizes and styles. The sturdy hard cover in classic matte black ensures artwork is portable, well protected and stylish. They are available in portrait, landscape and square shapes, with spiral binding or without and in black or white paper. All are acid free.

Prismacolor Scholar Pencil SetsPrismacolor Scholar Pencil Sets
Designed for students who are serious about their art. Their richly pigmented colours are formulated to provide smooth laydown and blendability. They also have harder leads than most other coloured pencils, making them more resistant to breakage.

C-Thru Flexible Stainless Steel Ruler
C-Thru Flexible Stainless Steel Rulers are classic drafting tools that also make great straightedges for cutting. Backed with non-skid cork, they are marked in centimeters and inches.

Winsor and Newton CharcoalsWinsor & Newton Artist Charcoal
Winsor & Newton charcoal is a staple for any art supply collection. Artist charcoal is great for use on vellum, newsprint, or any fine drawing paper. It has a smooth even feel and makes wonderful rich dark values. Whether doing life drawings or sketches of the outdoors, nothing beats a great stick of vine charcoal.

Wood Carving Tool Sets
Loew Cornell® Wood Carving Tool Sets include a variety of different tools. They come in different sizes and different angels for carving woods and creating masterpieces. Each knife has a strong blade and sturdy handle. These tools are designed to be used by artist, ceramist, hobbyist and crafters.

GAMSOL - Odorless Mineral Spirits
Excellent solvent for thinning Oil mediums and for general painting, including studio and brush cleanup. Flashpoint 145 degrees F.

Gamsol
Gamsol is 100% pure odorless mineral spirits (OMS). Some painters think OMS is more toxic because you cannot smell it. This is not true. Odorless mineral spirits is less toxic because harmful aromatic solvent has been removed. By using odorless mineral spirits (OMS), you can cut down on your exposure to solvent vapors. During a three hour painting session, about 20% of OMS evaporates in the air around you. Compare that with the evaporation rate of turpentine, which is so fast that during a three hour painting session, approximately 90% of the turpentine evaporates.

Alphacolor Soft Pastel Sets
Alphacolor Soft Pastels are beautiful, brilliant colors delight the imagination of children, students, hobbyists, and professionals. Soft, velvety smooth and featuring colors that blend easily for an infinite range of tones. Square sticks, 2-3/4″ x 7/16″, store in reusable plastic tray with lift lid. For paper, cloth, brushed on ceramics and plaster craft. Rich pigmentation, dense consistency, superior quality. CP-approved non-toxic.

Strathmore Windpower Drawing Pads
This line of artist papers has been made with 100% windpower- a pullution free, renewable energy resource. Strathmore is the first (and only) manufacturer in the United States to make paper entirely from wind generated electricity. Strathmore pioneered the practice of using recycled content to make high quality, acid free, fine art pads. Creating paper by using windpower in no way compromises the quality of the paper. You can expect the same high standards from Strathmore that you have come to expect over the last 100 years. This heavyweight drawing paper is perfect for finished works of art. The bright white paper is ideal for working with pencil, pen, charcoal, or pastel. Micro-perforated pages make the sheets easy to remove. 80lb (130gsm), acid free, cold pressed. 30% post-consumer fiber.

How to create Mixed Media Artwork Paintings

There is probably an unlimited number of ways to create mixed media artwork. I want to share some tips and techniques on creating one specific mixed media painting type – oil and airbrush canvas artwork using fabric to create more depth and texture.

When I create figurative paintings of women I always try to make them more intimate and not as ‘vulgar’ (for the luck of better word). Also, using fabric for additional texture allows me to create a true 3D effect. Paintings end up having a lot of vantage points and look different virtually every angle and every lighting condition, so it can take a life time to get really familiar with it.

This is how I do it:

I take stretched canvas. I prefer 36 inches wide by 48 inches high – they are fairly inexpensive, large enough for the task and not too big to stretch when, primer oil paint or airbrush is applied.

I prime it first; any primer should work since it will only be used to create additional texture. Then I wait about a week or so, letting primer to dry out as much as possible.

The next thing is to glue fabric or cloth on top of the canvas. I use glue that will not go though the fabric and case paint to change colors later when it is applied on top of the canvas and the fabric. This is the time to decide how challenging and exciting artwork will be. The more bends and twists fabric will have the more complicated and rewarding it will be to paint over it. So, I always keep in mind that the final artwork has to look like the fabric was glued on top of the painting, and not like painting was done on top of the fabric. Again, I let it sit and dry as much as possible.

Now the exciting part – actual painting:

1. I always assume that the surface is flat, so if there are bends or bumps in the fabric I visualize what the women’s figure would look like if painted directly on the canvas, and just follow those lines.

2. In the ‘valleys’ between the fabric bends and twists – these areas will get less light and even some shade (especially when artwork is lighted from above ). So they need to be kept that way. I do not make them lighter or the effect of fabric glued over the painting will be lost.

3. The ‘hills’ (or ‘mountains’ if a lot of texture was given) will get more light then the rest of the painting, but to create the effect of fabric glued on top of the artwork I make them even brighter.

These are the three basic techniques to create figurative mixed media painting. There are obviously a lot more needed to insure that artwork looks intimate, exquisite, real but not provocative, but it is better left to an Artist to decide how to do that.

Canvas Printing

Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print  is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.

 
Art Prints – How are they made?

Image
Photography by Laurie Barone-Shafer
Nowadays just about anyone can take a good quality photographs with a digital camera. Or take a few hundred pictures and the chances are few will be good, and even one or two outstanding.

Here are a few tips, tricks and techniques on how to make art print poster ready photographs and print ready digital files. Don’t get overwhelmed, there is a lot of information here, but a lot of it is just intuitive. Well, a bit of patience will always help.

First thing – Photo Size

If you taking a digital photo of you family or friend the largest size you would print is usually 5 by 7 inches, maybe 8 by 10 at the most. Even small size digital photographs (2MB or less) are ‘good enough’ to create a decent print. But if you want to create prints that are 16 by 20, 20 by 24 inches or larger you need more pixels (in pixels 20 by 24 inches photo is actually about 40 times larger than 3 by 4 inches photo assuming they have the same resolution).

 
Learning to Paint Watercolors

Watercolor is an easy, fun medium for creating art.  Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes.  Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.

Watercolor paper comes in cold press, hot press, and rough.  Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added.  Hot press is the smoothest and has the finest texture.  Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.

Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper.  Most artists prefer to use at least 140 lb. paper.  Papers vary somewhat between manufacturers, so sampling different papers is advisable.  Paper can be purchased in pads, in blocks or in large sheets.  The large sheets are usually the most economical and can be torn into whatever size is desired.

 
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