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Varnishing An Oil Painting
Varnish is more than simply a layer to protect your oil painting from ultraviolet light, pollution in the atmosphere and abrasion. It will also bring out the brilliance in colors, making them sparkle. Varnish is made from Damar resin dissolved in a mixture of turpentine and other organic solvents. Keep in mind that oil paint dries from the outside in; when it dries it forms a surface skin first. During the drying process small pores form in this surface skin. The surface of the paint may feel dry, but under the skin, the paint is still wet, no matter how thin the coating is. It takes at least 6 months drying time for the dried oil paint film to become dry enough that it won't be re-dissolved by mild solvents such as turpentine. When a varnish is applied to a reproduction art oil-on-canvas painting before the 6 month drying time, the varnish fills the pores of the oil paint film, The solvent content of the varnish can easily re-dissolve the incompletely dried oil paint at the bottom of the canvas and cause all kinds of problems - such as wrinkling of the oil paint film, cracking, and yellowing of the color. • Clean the painting so it's free from dust and dirt. Lay the oil painting flat, then dampen the surface a bit of cotton wool with clean water.

• Dry the oil painting with another bit of cotton wool. With your fingers, gently remove any cotton fibers that have been caught in the oil paint.

• Leave your painting to dry for several hours.

• Choose from high gloss, satin or matte finishes. Varnishes may be brushed or sprayed on. Use a flat bristle brush to apply the varnish. If you don't want your oil-on-canvas painting to be too shiny, use a matt varnish rather than a gloss one.

• With the painting flat, work from the top to the bottom, applying the varnish in parallel strokes from one edge of the oil painting to the other. Always work in the same direction. Try to have the same amount of varnish on the brush for each stroke so you put equal amounts of varnish on all parts of the oil painting. Always varnish the whole of the oil-on-canvas painting in one go.

• When the first coat of varnish is dry, apply a second coat at right angles to the first. This will give you a good, even finish.

• Leave the painting flat for at least 10 minutes after you've finished varnishing to stop the varnish running down the oil painting. Then prop it up against a wall to dry, face inwards.

• To test whether the varnish is dry or not, touch the edge of the oil painting to see if it's still tacky. It should dry within a day or two, depending on the weather.
 
Canvas Printing

Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print  is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.

 
Art Prints – How are they made?

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Photography by Laurie Barone-Shafer
Nowadays just about anyone can take a good quality photographs with a digital camera. Or take a few hundred pictures and the chances are few will be good, and even one or two outstanding.

Here are a few tips, tricks and techniques on how to make art print poster ready photographs and print ready digital files. Don’t get overwhelmed, there is a lot of information here, but a lot of it is just intuitive. Well, a bit of patience will always help.

First thing – Photo Size

If you taking a digital photo of you family or friend the largest size you would print is usually 5 by 7 inches, maybe 8 by 10 at the most. Even small size digital photographs (2MB or less) are ‘good enough’ to create a decent print. But if you want to create prints that are 16 by 20, 20 by 24 inches or larger you need more pixels (in pixels 20 by 24 inches photo is actually about 40 times larger than 3 by 4 inches photo assuming they have the same resolution).

 
Learning to Paint Watercolors

Watercolor is an easy, fun medium for creating art.  Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes.  Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.

Watercolor paper comes in cold press, hot press, and rough.  Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added.  Hot press is the smoothest and has the finest texture.  Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.

Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper.  Most artists prefer to use at least 140 lb. paper.  Papers vary somewhat between manufacturers, so sampling different papers is advisable.  Paper can be purchased in pads, in blocks or in large sheets.  The large sheets are usually the most economical and can be torn into whatever size is desired.

 
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