Large diameter pastel pencils with very fine, smooth colored leads that are strong and easily blendable. Work well on a wide range of papers. The abrasives in the pencils provide excellent toning and stumping qualities.
Various materials for pastel drawing are contained in these sets. Each features mixed pastel materials and selected accessories secured in a vivid attractive tin with a removable lid. The design of these kits makes them convenient to bring along anywhere. The 12 piece set includes six pastel blocks, five pastel pencils and a water-soluble sketching HB. The same contents are contained in the 24 piece set with an additional two pastel blocks, eight pastel pencils, a kneaded putty eraser and a pastel pencil sharpener. The 38 pieces set includes the same materials as the 24 piece set plus six pastel blocks, five pastel pencils, a paper stump, a plastic eraser and a sandpaper block.
The Vision Elite’s airplane safe technology will take the pressure out of flying. It features a stainless steel tip with carbide ball and free ink device that smoothly delivers fade-proof, waterproof ink.
Combining gel ink technology and comfortable convenience, the Gel RT pens have a rubber contour grip that provides comfort and control. They are refillable, and have auto-retractable tips to protect pockets.
Ultra smooth, comfortable and stylish, these acid-free gel ink pens are great for scrapbooks and a wide range of crafts. Each pen features a visible ink supply and a rubber grip for comfort and control.
The slim profile of Le Pen is suited for small hands and a delicate touch. Le Pen’s .3mm fine felt tip writes smoothly in ink that is both non-toxic and acid-free. This petite, elegant writing tool can hide in a billfold or pocket organizer.
The Gel Excel Metallic Pens series is perfect for scrapbooks and memory books. The acid-free and non-toxic pens have smooth continuous flow gel ink and a soft rubberized grip for writing comfort. Works great on both light and dark colored paper.
Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.
Photographic materials have complex physical and chemical structures that present special preservation challenges to the librarian and archivist. Since the birth of photography in the late 1830s, many different photographic processes and materials have been utilized, each subject to deterioration through time and with use. Although deterioration is an ongoing natural process, nevertheless much can be done to slow the rate at which it takes place in photographs.
Deteriorated photographs may require specialized conservation treatment by a professional photograph conservator, often a costly, skill-demanding, and time-consuming procedure. For the majority of photographs in research collections, single-item conservation of deteriorated photographs is probably not a feasible or a cost-effective preservation solution. Instead, preventive conservation actions such as maintenance of a good environment, promoting proper care and handling through staff and user education, and the use of good quality storage housings will have a more lasting, positive impact on the preservation of a collection.
Watercolor is an easy, fun medium for creating art. Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes. Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.
Watercolor paper comes in cold press, hot press, and rough. Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added. Hot press is the smoothest and has the finest texture. Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.
Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper. Most artists prefer to use at least 140 lb. paper. Papers vary somewhat between manufacturers, so sampling different papers is advisable. Paper can be purchased in pads, in blocks or in large sheets. The large sheets are usually the most economical and can be torn into whatever size is desired.