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Art Supplies
Pentalic Classic Sketch

Pentalic Classic SketchHardbound, classic sketch book has 110 sheets of bright white 70# acid free drawing paper. Textured, black embossed cover.

 
Pentalic A La Modeskin Traveler's Pocket Sketch books
Pentalic A La Modeskin Traveler's Pocket Sketch booksThe Pentalic A La Modeskin Traveler's Pocket Sketch books are economical, ecological and practical for artists, students, list makers and note takers! Acid free, recycled 60# (100 gsm) cream colored paper is perfect for writing or sketching with pencil, crayon, charcoal or pastel. Perfect bound - stitched in sections for lay flat writing or sketching ease. 160 pages/book, ribbon page marker and an elastic closure to hold the waterproof cover closed.
 
Aquabee Landscape Sketch Pads
Aquabee Landscape Sketch Pads Aquabee Landscape Sketch Pads are great for capturing panoramas, skyscrapers and standing figures. The 50 lb. paper - dual-sized, so marks won't feather - has a rough surface with good erasing qualities, and works well with pen & ink, pencil, charcoal and crayon. The pad is spiral-bound on the short side and has a thick backing board. Made in the USA.
 
Aquabee Quick Rough Sketchbook
Aquabee Quick Rough SketchbookThe rough-textured 50 lb paper in this sketchbook erases well and won't feather. Use it with pen & ink, charcoal, pencils and crayon. Spiral binding and hard backing board make the book convenient for sketching in the field.
 
Reeves Soft Pastel Sets
Reeves Soft Pastel SetsReeves Soft Pastels are made with high quality pigments to give them excellent lightfastness and strong vibrant colors. They are extremely soft and easy to apply. Perfect for color blending and are suitable for use on textured paper or card.
 
Cray-Pas Junior Artist Oil Pastel Sets
Cray-Pas Junior Artist Oil Pastel SetsCray-Pas Junior Artist Oil Pastel Sets
• Meets non-toxicity requirements
• No use of tree-nut oils, soy, latex, wheat, oat, barley,animal oils or waxes, dairy, casein, or egg ingredients
• Will not peel, crack or flake, and are easily blend-able
• Oil paint effects, overlaying color, and a variety of effects can be experienced
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M. Graham Acrylic Colors
M. Graham Acrylic Paints Containing 60% solids instead of the usual 45% found in other paint emulsion has enabled us to eliminate dependency upon the artificial thickeners used in artists' color. The result, increased pigment loadings for stronger, more intense color and enhanced working properties with the flow and delicacy normally found only in fine gouache. Our color may be thinned with Gloss Medium & Varnish or Matte Medium to the exact fluidity and sheen preferred.
 
Alphacolor Char-Kole Sticks
Alphacolor Char-Kole SticksAlphacolor Char-Kole Sticks. Strong, smooth and brilliant pastels rich in pigment with a soft, smooth velvety texture. Colors blend to give an infinite range of tones. For use on plastercraft, cloth or paper. Sticks are square.
 
General's Peel and Sketch Charcoal

This paper wrapped charcoal is velvety smooth and convenient for quick sketching and drawing. There’ s no need to sharpen with traditional sharpening methods, just slowly pull the string, peeling away paper to reveal more charcoal and you are ready to begin drawing again. Peel and sketch charcoal is available in boxes of a dozen sketching tools, in three different degrees.

 
General's Charcoal and Sanguine
General's Charcoal and SanguineExtra soft compressed charcoal sticks and sanguine multi-pastel chalk sticks.

 
ProArt Compressed Charcoal
ProArt Compressed CharcoalBlend of natural charcoals and chalks. The compressed ingredients form a semi soft pastel designed to create similar effects to natural charcoal. Blends well.
 
Faber-Castell Pitt Charcoal Pencils
Faber-Castell Pitt Charcoal PencilsThese Charcoal Pencils are of the highest possible quality. Available in three grades of hardness. They are made of refined compressed charcoal and produce dark black tones.
 
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Photo Services

Canvas Printing

Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print  is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.

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Photography Information

Photography Art Prints – How are they made?

Image
Photography by Laurie Barone-Shafer
Nowadays just about anyone can take a good quality photographs with a digital camera. Or take a few hundred pictures and the chances are few will be good, and even one or two outstanding.

Here are a few tips, tricks and techniques on how to make art print poster ready photographs and print ready digital files. Don’t get overwhelmed, there is a lot of information here, but a lot of it is just intuitive. Well, a bit of patience will always help.

First thing – Photo Size

If you taking a digital photo of you family or friend the largest size you would print is usually 5 by 7 inches, maybe 8 by 10 at the most. Even small size digital photographs (2MB or less) are ‘good enough’ to create a decent print. But if you want to create prints that are 16 by 20, 20 by 24 inches or larger you need more pixels (in pixels 20 by 24 inches photo is actually about 40 times larger than 3 by 4 inches photo assuming they have the same resolution).

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Art Information

Learning to Paint with Watercolors

By Cindy Tabacchi

ImageWatercolor is an easy, fun medium for creating art.  Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes.  Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.

Watercolor paper comes in cold press, hot press, and rough.  Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added.  Hot press is the smoothest and has the finest texture.  Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.

Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper.  Most artists prefer to use at least 140 lb. paper.  Papers vary somewhat between manufacturers, so sampling different papers is advisable.  Paper can be purchased in pads, in blocks or in large sheets.  The large sheets are usually the most economical and can be torn into whatever size is desired.

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Hamptons east hampton, southampton and bridgehampton. hamptons art and frames art supplies, framing and photo store in bridgehampton.