Sobo Glue is a superior, all-purpose, white glue with good tack and is ideal for crafts, hobbies, notions, household uses and school projects. Use it on porous and semi-porous surfaces like paper, wood, chenille, leather, yarn and some non-washable fabrics like felt. Sobo Glue's non-yellowing formula dries clear and flexible and will not bleed through or stain paper, craft fabrics or most other craft materials.
3M Scotch Masking Tape conforms to corners and curved surfaces. For painting sharp, clean edges. Bonds firmly, removes easily, Resist breaking and leaves no residue.
Liquitex Basics Gesso is a good quality, value priced surface preparation alternative to professional grade gesso.
Usually takes two coats to seal supports.
Liquitex Matte Medium is aclassic medium used to give fluidity to delicate brushwork or to act as a low sheen adhesive for collage. This medium has a creamy consistency and is great with opaque colors. Mix with Gloss Medium & Varnish to create a custom satin effect.
Grumbacher Modeling Paste is aflexible, durable paste for creating textured surfaces to be over painted with oil or acrylic colors. Stir well and apply to clean surface of canvas, wood, untempered pressed wood, cardboard, plaster, concrete, masonry, etc. May be thinned with water. May be modeled, shaped or textured before hardening. Dries rapidly. May be cut, carved or sanded when thoroughly dry. Mix with acrylic colors for impasto effects. Do not mix with or apply over turpentine or oils.
Heavy, gloss medium mixed with colors for 3-D manipulations; apply thin multiple layers for clear impastos and heavy glazes; dries slower than other mediums; can be used to lengthen working time; excellent all-purpose glue, especially for cementing large or heavy objects.
Soft Body. All purpose medium, formulated to be mixed into all Liquitex acrylic paints and mediums. Mix into any acrylic paint to enhance the depth of color intensity, increase transparency, gloss, ease flow of paint and add flexibility and adhesion of paint film. Use as a non-removable varnish to protect painting and establish gloss sheen surface. Translucent when wet, transparent (clear) when dry. 100% acrylic polymer varnish. Water soluble when wet. Good chemical and water resistance. Dry to a non-tacky, hard, flexible surface that is resistant to retention of dirt. Resists discoloring (non-yellowing, non-fogging) due to humidity, heat and ultraviolet light. Depending upon substrate, allows moisture to pass through (breathable). Not for use over oil paint.
Gamblin Gamsol Odorless Mineral Spirits thins oil colors and painting mediums and is used for brush and studio clean up. Gamsol is far safer for painters, their paintings, and the environment than turpentine and harsh mineral spirits. All Gamblin oil painting mediums are formulated with Gamsol.
Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.
Nowadays just about anyone can take a good quality photographs with a digital camera. Or take a few hundred pictures and the chances are few will be good, and even one or two outstanding.
Here are a few tips, tricks and techniques on how to make art print poster ready photographs and print ready digital files. Don’t get overwhelmed, there is a lot of information here, but a lot of it is just intuitive. Well, a bit of patience will always help.
First thing – Photo Size
If you taking a digital photo of you family or friend the largest size you would print is usually 5 by 7 inches, maybe 8 by 10 at the most. Even small size digital photographs (2MB or less) are ‘good enough’ to create a decent print. But if you want to create prints that are 16 by 20, 20 by 24 inches or larger you need more pixels (in pixels 20 by 24 inches photo is actually about 40 times larger than 3 by 4 inches photo assuming they have the same resolution).
Watercolor is an easy, fun medium for creating art. Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes. Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.
Watercolor paper comes in cold press, hot press, and rough. Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added. Hot press is the smoothest and has the finest texture. Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.
Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper. Most artists prefer to use at least 140 lb. paper. Papers vary somewhat between manufacturers, so sampling different papers is advisable. Paper can be purchased in pads, in blocks or in large sheets. The large sheets are usually the most economical and can be torn into whatever size is desired.