Heavyweight mottled parchment. Neutral pH, archival quality sheet with an excellent smooth surface. Dense insoluble sheet possesses exceptional wet strength, will not feather or spread. Excellent for calligraphy and pen and ink work.
These pads feature excellent transparency and a fine surface. A sturdy paper for transfer tracing. Particularly recommended for superior diazo prints. The medium weight of the Monroe line. In a 50 sheet pads.
Paris Bleedproof Paper is a truly unique paper. Ideal for calligraphy, and all fine line pen and ink work-including technical illustrations. A smooth hard surface for every type of pen, from Hawk Quill, Crow-Quill, 6/0 Technical Pen, Dip-Pen, Ruline Pen, Superfine Fiber Point, etc. For rendering fine, clean lines this vis the one. No feathering, no bleeding nor breaking up of fine lines.
Printing on canvas is incredibly versatile and a great way to create a ready-to-hang image or artwork. Every canvas that we print is protected with a UV coated acrylic finish to guard the print from dust, moisture and fading. Do you want your canvas stretched on bars or non-stretched? Framed or unframed? Customize the work to make it truly your own.
Nowadays just about anyone can take a good quality photographs with a digital camera. Or take a few hundred pictures and the chances are few will be good, and even one or two outstanding.
Here are a few tips, tricks and techniques on how to make art print poster ready photographs and print ready digital files. Don’t get overwhelmed, there is a lot of information here, but a lot of it is just intuitive. Well, a bit of patience will always help.
First thing – Photo Size
If you taking a digital photo of you family or friend the largest size you would print is usually 5 by 7 inches, maybe 8 by 10 at the most. Even small size digital photographs (2MB or less) are ‘good enough’ to create a decent print. But if you want to create prints that are 16 by 20, 20 by 24 inches or larger you need more pixels (in pixels 20 by 24 inches photo is actually about 40 times larger than 3 by 4 inches photo assuming they have the same resolution).
Watercolor is an easy, fun medium for creating art. Color theory, composition and design can be explored freely with watercolor paint, paper, and brushes. Several techniques may be used with watercolors for varying effects including painting wet on wet, wet on dry, layering washes, and more.
Watercolor paper comes in cold press, hot press, and rough. Rough paper has the most texture, and its hills and valleys can result in interesting effects when paint is added. Hot press is the smoothest and has the finest texture. Cold press has a moderate amount of texture and is the paper most commonly chosen by watercolor artists.
Watercolor paper comes in several weights ranging from 90 lb. to 300 lb. based on the pounds per ream of paper. Most artists prefer to use at least 140 lb. paper. Papers vary somewhat between manufacturers, so sampling different papers is advisable. Paper can be purchased in pads, in blocks or in large sheets. The large sheets are usually the most economical and can be torn into whatever size is desired.
Papers and Pads 
Heavyweight mottled parchment. Neutral pH, archival quality sheet with an excellent smooth surface. Dense insoluble sheet possesses exceptional wet strength, will not feather or spread. Excellent for calligraphy and pen and ink work. 
These pads feature excellent transparency and a fine surface. A sturdy paper for transfer tracing. Particularly recommended for superior diazo prints. The medium weight of the Monroe line. In a 50 sheet pads.
Neutral Ph. Vellum "Kid" finish recommended for dry or mixed media drawings. One of the finest bristols in the market. 
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Smooth surface, sulfite. Plate finish for finished pen and ink drawings. True two ply laminate Neutral Ph. One of the best bristols in the market.
